The Shakespeare Multiverse: Fandom as Literary Praxis, co-authored with Louise Geddes. Routledge, (forthcoming) 2022.

"'And we will ship him hence': The Case for Shakespeare Fan Studies," co-authored with Louise Geddes. The Arden Research Handbook to Shakespeare and Adaptation, edited by Stephen O'Neill and Diana Henderson, Bloomsbury, (forthcoming) 2022.

"'Some rare noteworthy object in thy travel': Digital Kitsch and Shakespeare Cultural Memory," co-authored with Louise Geddes, Shakespeare Tourism, edited by Valerie Pye and Robert Ormsby, Routledge, (forthcoming) 2022.

"‘A vulgar comment will be made of it’: YouTube and Robert Weimann’s Platea." Shakespeare's Audiences, eds. Matteo Pangallo and Peter Kirwan. New York: Palgrave, 2021. https://www.routledge.com/Shakespeares-Audiences/Pangallo-Kirwan/p/book/9780367715465

Variable Objects: Shakespeare and Speculative Appropriation, co-edited with Louise Geddes. Edinburgh: Edinburgh University Press, 2021. https://edinburghuniversitypress.com/book-variable-objects.html

"'There Lies the Substance': Richard II and the Adorkable Paratext," co-authored with Louise Geddes. Shakespeare and Geek Culture. Eds. A.J. Hartley and Peter Holland, 153–169. London: Arden, 2020. 

"Perform what you command": Fan Ethnodramaturgy and YouTube Shakespeares. ACMRS Sundial, 10 February 2020. https://medium.com/the-sundial-acmrs/perform-what-you-command-fan-ethnodramaturgy-and-youtube-shakespeares-f966ef717569

The Shakespeare User: Critical and Creative Appropriations in a Networked Culture, co-edited with Louise Geddes. New York: Palgrave,  2017.

“‘Give Me Your Hands if We Be Friends’: Collaborative Authority in Shakespeare Fan Fiction,” co-authored with Louise Geddes. Shakespeare. 14 Aug. 2015. https://www.tandfonline.com/doi/abs/10.1080/17450918.2015.1048708

 “YouTube Shakespeare Research: Ethical Issues in Literary Contexts.” Spec. issue Borrowers and Lenders. Eds. Stephen O’Neill and Maurizio Calibri. 10:1 Spring/Summer 2016. Web. http://www.borrowers.uga.edu/1755/show