Program Faculty

Program Faculty

Film and Media Studies, MAS

Name
Expertise
Aaron Baker
Professor
Ross-Blakley Hall 370  
Christopher Bradley
Senior Lecturer MY

Professor Bradley teaches Beginning, Intermediate and Advanced Screenwriting in Film and Media Studies, as well as Hollywood Film History.

Ross-Blakley Hall 328  
Aviva Dove-Viebahn
Assistant Professor

Dove-Viebahn's diverse interests include television and new media; gender, race, and representation in popular culture; community formation; and the role of the spectator in our digital age.

480-727-7045
RBHL 368  
Sarah Florini
Associate Professor

Florini holds a doctorate in communication and culture from Indiana University. Her research focuses on the intersection of emerging media, Black American cultural production, and racial politics.

Ross-Blakley Hall 247  
Lisa Han
Assistant Professor

Han's research interests include new media, environmental media and critical infrastructure studies.

RBHL 111  
Julia Himberg
Director of Film and Media Studies, Associate Professor

Himberg's research interest include television, digital media, gender, sexuality, queer theory, industry studies, consumer culture, advertising, and market research.

Ross-Blakley Hall 167  
Michelle Martinez
Instructor

Martinez is an instructor for in the Film and Media Studies program at ASU..

Ross-Blakley Hall 205AA  
Stacey Moran
Asst Professor

Moran's current research investigates how methods in the physical sciences provide a foothold for thinking about the materiality of knowledge production in feminist theory and practice.

Katherine Morrissey
Assistant Professor

Morrissey research focuses on representations of female desire across popular culture, production networks, and the impacts of digitization on creative communities.

Kevin Sandler
Associate Professor

Sandler has published in a wide number of anthologies and journals including Cinema Journal, Animation Journal, and The Velvet Light Trap.

480-727-3920
Ross-Blakley Hall 333  
Lecturer

Vasquez work has focused on confluences of melancholy and masculinity throughout a range of American genre film from the silent period into the first decades of the 21st century.

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